“Until his death in 1995, Gary Provost was one of the most beloved writing instructors in the United States. He taught tens of thousands of writers through his seminars, books, articles and videos.”
The late Gary Provost (1944-1995) - had been one of America's leading writing-for-publication instructors and author of 24 books in genres that include how-to instruction for writers (of course!); novels for mystery, romance and young adult readers; biography; true crime; sports how-to; and business. He doctored manuscripts, worked as a ghostwriter, and along the way published thousands of articles for magazines and newspapers--including columns, humorous pieces and celebrity profiles.
A NOTE FROM GAIL PROVOST:
So happy to have you drop by. I guess you can consider this the official website for preserving Gary's legacy.
You may have landed here by chance. More likely, you've already learned from Gary and felt as though his instruction was, amazingly, being delivered specifically by him to YOU. Gary had that effect on freelance writers, everywhere.
Perhaps you had read some of his countless instructional articles and columns written for fiction and nonfiction writers and published over the years in the trades, such as Writer's Digest magazine, and The Writer. These days, if you're a high school or college student, you may have recently been given samples of his work by your writing instructor.
Gary authored five instructional books for writers, so you may have read one, or some, or all of those. Or maybe you were fortunate enough to have participated in one of his nationwide WRITE IT/SELL IT weekend seminars for fiction and nonfiction writers. Possibly you attended a writers' conference, in which Gary had been a wildly popular speaker. He was a bit of an anti-establishment cult hero to freelance writers.
Back in 1987 we created the WRITERS RETREAT WORKSHOP, a two-week intensive, in-residence program for a small group of serious fiction and creative nonfiction pre-published writers to study with Gary. We culled the program back to ten days and affectionately referred to it as "The WRW". Although we continued to limit participation for the sake of ample personalized attention from Gary, more and more of the students who registered were also returning students. Thus, more sessions a year. And the sense of a WRW family ensued.
WRW became known as an internationally acclaimed "boot camp" program for small groups of serious-minded novelists--already published as well as pre-published writers. Less than ten years later, WRW was honored by USA WEEKEND's selection of our program as THE writing "vacation that can change your life."
Sadly, the tribute was bestowed shortly after Gary's passing. How tickled he'd have been. WRW was always for us a true labor of love. A family affair. Our passion. However, thanks to the extraordinary contributions of WRWers who had learned from Gary and passed along Gary's wise and generous instruction, insight, and approachability, WRW continued to evolve with new generations of WRWers. WRW's legacy has lived on for more than 25 years.
As for Gary's courses designed specifically for at-home viewing and study, they too have been preserved and are now available in updated formats. TO LEARN MORE: Click on our links to the right of this section.
Finally, if you'd like to learn more about Gary's personal story, its relevance to you and your dreams of writing excellence and publishing success, I invite you to read on. (If you can't do that now, why not bookmark this page for another, more convenient time.)
Meanwhile, keep on writing and learning and progressing along the path of your dream. One day, that dream will come true. Persistence, that's the ticket!
May you dream your dream on,
--Gail Provost Stockwell
MORE ABOUT GARY
Whether anyone was counting or not, when Gary came into the world on November 14, 1944, he was the seventh son of a seventh son and the youngest of nine siblings. His Boston childhood was spent in poverty with his mother and two brothers in a poor Jamaica Plains household. Although they had little, Gary was content and well loved. At times, however, he would become painfully shy. For example, if any of his older siblings would show up to visit, Gary would take off and hide until after "those people" had gone.
Out on the streets Gary was less shy. He was a spunky, independent street kid of keen intelligence, great imagination, and a stubborn drive and taste for adventure.
At the age of three, for example, he would think nothing of getting on a bus or two by himself in order to get off at the Y or to see a movie. At eight years old he was writing and handing out his "newspapers" and also began his first book-length manuscript. It's title: "The Case Against Religion."
When Gary was a teenager his mother--for no discernible reason--registered him to attend high school in a different neighborhood, causing Gary to feel like an outcast. After all, the kids in his neighborhood wanted to hang out with the same kids they went to school with. And the kids who were in the same school as Gary wanted to hang out with the kids who lived in their own neighborhood.
There was one place after school where Gary was always welcomed, always at home: the local basketball court. He was so good at shooting hoops--loved it so much--that had he been a taller guy he'd have sought a career playing professional basketball.
After high school graduation (a celebration he chose to do without), he turned down a "respectable" job offer at a bank in favor of pursuing a boyhood fantasy. Consequently, he and his childhood pal spent one year living out their own version of "Rt. 66." They hitch-hiked around the country to experience life but what they mostly experienced was sleeping on park benches and panhandling in parks. After about one year of this Gary shifted his focus to writing.
During the next ten years wrote seven (horrible) novels, supporting himself thanks to a succession of thirty-five jobs that he later said "paid very little but would some day look glamorous on the back of a dust jacket.”
By the end of that decade Gary turned his attention away from fiction and towards nonfiction. Sure enough, just before he turned thirty, his first article was published in a Florida newspaper. He and his wife Nora (who he'd met through a computer dating service) returned to the Boston area, where they both had been raised.
Gary very quickly landed a job working as a newspaper reporter. This led to work on the editorial staff of several magazines. He devoted himself to the craft while selling his stories and articles to hundreds -- eventually, thousands -- of local, regional, and national publications. But by this time he wanted more. He wanted to write books that would get published. So naturally, he took publishing matters into his own hands.
One fine day, Gary stood by the steps of the Boston Public Library with a suitcase full of mimeographed copies of his little book of offbeat humor, and he began to sell them. Cheap. For some unknown reason The Dorchester Gas Tank won Gary a small cult-level following in Cincinnati, Ohio and that local popularity garnered for Gary the attention of editors over at Writer’s Digest magazine, the world's leading magazine for writers. It wasn't long before they bought and published a story by Gary about Gary and his self-publishing venture.
He continued to write featured instructional articles for WD's readership throughout the rest of the 80s and into the 90s, serving as a Writer's Digest correspondent, then contributing editor, then regular columnist. He also wrote celebrity profiles, humorous columns, etc. It was only a matter of time for Gary to propose a how-to book idea to Writer's Digest Books about how to write well. They bought it. Gary's first official book publishing contract, therefore, was Make Every Word Count. It became a top seller for Writer's Digest Books.
Along with love of the craft, he began to discover a unique gift for teaching in-person. He began teaching at night schools and giving seminars and workshops for writers not only on how to improve their writing skills but also how to get published. Not surprisingly, he soon authored The Freelance Writer's Handbook and became a popular speaker at writing conferences nationwide. He went on to author dozens of books in most every genre, and because of his versatility he was dubbed "The Dustin Hoffman of the Typewriter,” and because of his productivity, "The Writer’s Writer.”
MORE ABOUT GARY'S BOOKS
All four YA novels were award-winning, including his first, The Pork Chop War (which had been inspired by his own childhood memories). The three novels co-authored with second wife, Gail, Good If It Goes, won the couple a National Jewish Book Award for Children's Literature in 1985, and David and Max earned them a dozen prestigious nominations including a Newbery. (It was updated in 2006 for a new edition.)
All of Gary's best-selling true crime books were optioned for film, and Fatal Dosage was produced into the CBS TV film, Fatal Judgment, starring Patty Duke. These true crime titles include: Finder, Without Mercy, Perfect Husband, Across the Border, and Into Their Own Hands. For Writer's Digest Books, he also wrote 'The Book' on the subject: How to Write and Sell True Crime.
What would become his final work of nonfiction, Bogart: In Search of My Father, was ready for publication at the time of Gary's fatal heart attack. He had just completed his interviews with Kelsey Grammer (for Kelsey's autobiography, So Far), and he had already begun the second in a humorous mystery series for Berkley Prime Crime -- inspired by Gary's personal experience as one of only 7 finalists out of a field of 12,000 in the Chicago Sun Times' "national search to replace Ann Landers.")
Baffled In Boston, the first in this series was published a few months after Gary's death.
Other projects underway included a seventh book for writers. (In 1998 How To Tell A Story: The Secrets Of Writing Captivating Tales was completed by Gail and agent/author Peter Rubie and published by Writer's Digest Books.)
Other acclaimed books for writers by Gary were NAL’s The Freelance Writer’s Handbook and the still-popular reference book, 100 Ways To Improve Your Writing.
After Make Every Word Count, and Beyond Style: Mastering the Finer Points of Writing, Writer's Digest Books published Make Your Words Work, combining the two titles into a single "crystallization of Gary's wisdom."
During his last ten years Gary and Gail launched into seminars, workshops, manuscript evaluations, and Gary's writing workshops on video. They traveled around the country with week-end WRITE IT/SELL IT seminars, helping writers of fiction and nonfiction improve their skills and understanding of the writing process and publishing markets. Gary taught. Gail produced.
A collector's edition of Gary's breakthrough, comprehensive course for aspiring novelists, VIDEO NOVEL WORKSHOP, is available now in DVD format.
Also available and evolving is the WRITERS RETREAT WORKSHOP(WRW), co-founded by Gary and Gail as a labor of love back in 1987 -- the internationally acclaimed 10-day program for beginning through published writers of fiction and narrative non-fiction.
Gary's indomitable spirit endures. If you have read this far, it endures for you.